Essay twelfth night comedy

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The Twelfth Night Comedy

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AQA | Aspects of comedy: text overview - Twelfth Night

Comedy is generally defined as a literary work that is written to amuse or entertain a reader. In a comedy, characters can certainly suffer misfortune, but they are typically comedic situations with positive outcomes. Not all examples of comedy as a literary device are funny. The Ancient Greeks utilized drama as a means of investigating the world and the meaning of being human. Comedy is among the genres they developed, first as a means of satirizing and mocking men in power for vanity and being foolish. In a sense, much of modern comedy focuses on human frailties as well.
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“Twelfth Night is a comedy of light and shade

The effects and values of the earlier comedies are here subtly embodied in the most complex structure which Shakespeare had yet created. Having solved magnificently the problems of this particular form of comedy, Shakespeare was evidently not tempted to repeat his triumph. After Twelfth Night the so-called comedies required for their happy resolutions more radical characters and devices—omniscient and omnipresent Dukes, magic, and resurrection. More obvious miracles are needed for comedy to exist in a world in which evil also exists, not merely incipiently but with power. William Shakespeare was in his mids and at the height of his dramatic powers when he wrote Twelfth Night , his culminating masterpiece of romantic comedy.
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The acknowledged master of the heroic couplet and one of the primary tastemakers of the Augustan age, British writer Alexander Pope was a central figure in the Neoclassical movement of the early 18th century. He is known for having perfected the rhymed couplet form of his idol, John Dryden , and turned it to satiric and philosophical purposes. His mock epic The Rape of the Lock derides elite society, while An Essay on Criticism and An Essay on Man —34 articulate many of the central tenets of 18th-century aesthetic and moral philosophy. Pope is also remembered as the first full-time professional English writer, having supported himself largely on subscription fees for his popular translations of Homer and his edition of the works of William Shakespeare.
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